PDF Ebook David Bowie Made Me Gay: 100 Years of LGBT Music
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David Bowie Made Me Gay: 100 Years of LGBT Music
PDF Ebook David Bowie Made Me Gay: 100 Years of LGBT Music
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About the Author
Darryl W. Bullock is a publisher, editor, and writer specializing in numerous areas including music and the arts. He is the author of The World’s Worst Records and posts weekly on his popular blog, The World’s Worst Records. Bullock helped launch We Are Family, the UK’s first magazine for LGBT families and their friends. He is the author of David Bowie Made Me Gay: 100 Years of LGBT Music and Florence Foster Jenkins: A Life of the World's Worst Opera Singer.
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Product details
Paperback: 368 pages
Publisher: Abrams Press; 1 edition (April 30, 2019)
Language: English
ISBN-10: 1468316915
ISBN-13: 978-1468316919
Product Dimensions:
6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#2,168,891 in Books (See Top 100 in Books)
A superb book -- better in many ways than my own 1994 book "Rock on the Wild Side." While I would encourage readers interested in the subject to get both books (the two don't cover precisely the same territory, though there is substantial overlap), if you can get only one, then Mr. Bullock's is the one to get. It's much broader in scope and far more comprehensive, plus it has the advantage of nearly a quarter-century of recent history to draw upon. And it's also extremely well written -- a delightful read from beginning to end. It's both highly entertaining and highly enlightening: what more can you ask for? Kudos to Darryl W. Bullock for so greatly enhancing the too-sparse literature on the history of LGBT performers in popular music!
A great book to learn what every LGBTQ needs to know.
The first half of this book is excellent and eye opening. Learning about queer, black New Orleans 100 years ago was eye-opening, and learning about how Tony Jackson figures into Jelly Roll Morton’s history was fantastic. I knew of Ma Rainey, but learning about Ethel Waters and Lucille Bogan was fascinating, as was their shocking openness about their sexualities. I loved finding out about the popularity of the first modern drag queens in the 20s. The histories of the underground, camp recordings were fun, and I didn’t realize that some of my oldies favorites like Johnnie Ray were gay. There’s a lot of great “forgotten†history, even if I read patiently waiting for one of my favorites, Big Mama Thornton, to be mentioned, and she is not.But once this book hits the 1970s, some flaws are exposed. The organization of the book is by topics, not by chronological, and that isn’t the best. If you have any knowledge of modern gay artists, you’ll find glaring omissions. Two Lou Reed songs are mentioned, but neither of them is “Candy Says,†which seems like an obvious mention (even though Candy Darling is brought up). The chapter on lesbian singer-songwriters includes a few independent stalwarts, but he doesn’t mention any songs as a point-of-entry if you are curious. Melissa Etheridge isn’t mentioned until the last chapter and that is in the context of her song “Pulse†about the Pulse massacre. She was one of the most prominent out artists on American radio in the 90s.When he hits the 80s, I started to realize, not knowing the author at all, that he grew up in the UK. Frankie Goes to Hollywood and Soft Cell get a lot of attention, but I was stunned that the B52s and R.E.M. are only briefly brought up (and both within the context of AIDS; Ricky Wilson’s death for the Bs and Michael Stipe rumors for REM). He gives Jimmy Sommerville a lot of deserved space, and he talks about Pet Shop Boys’ early output. I was also disappointed at how briefly he goes over the “titans†of LGBT artists – if you are looking for deep dives into Bowie, Elton, and George Michael you are going to be disappointed. You will get an overview of the tabloid controversies they endured.I enjoyed this book and found a lot of new music I didn’t know about, which should be the goal of a book like that. But I can’t ignore how frustrated and confused I was about omissions, organization, and lack of depth about certain artists.
David Bowie Made Me Gay is the most comprehensive and thorough history of not just 'gay' music, but what it has meant to be gay over the past 100 years, bar none, especially all the name-and-date-and-place-and-event-and-people-and-boring-stuff-on-the-pop-test gay histories.Who YOU are; who WE are; who I am; who THEY are/were; who the bad guys were; what kind of bad shit went down and still goes down; what coming out meant; what joys, dreams, fantasies and nightmares; what AIDS was about; what kinds of obstacles were overcome by musicians whose privacy was invaded and whose lives were wrecked by the prurient, sensationalist nosy media or Puritan preachers; and who pioneered the sound and the beat and who persevered against serious odds to provide us with the soundtrack of our lives. The music was not merely the background music for our lives, it embraced our lives.Darryl Bullock's lively, interesting writing takes us on a World Tour and he includes lots fascinating background and inside stories as well as lots of direct quotes from the musicians themselves. This is one of the few books where I would lean back at the end of each chapter, reluctant to go on, because I would smile a satisfied grin, think, remember and reflect … and put on a tune that had slipped my mind long ago.I didn't have even the ghost of a clue about a lot of the fascinating stuff in this book but it was there in “my†music ... and my life. As with the Stonewall riots, it was the Black bull dykes and Black blues drag queens who got it all going. Too bad gaybar music is so drab, boring and anodyne now; the era of the masterful mixmaster club deejay is, alas, long gone.Lots of memories, lots of tunes, lots of loves found, lots of loves lost, lots of gratitude to lots of people. Awesome reading.
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